文化唯物主義

定　價(jià)：￥51.90

作　者：	趙國(guó)新，袁方
出版社：	外語(yǔ)教學(xué)與研究出版社
叢編項(xiàng)：	外語(yǔ)學(xué)科核心話題前沿研究文庫(kù)-外國(guó)文學(xué)研究核心話題系列叢書(shū)
標(biāo)　簽：	暫缺

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ISBN：	9787521313727	出版時(shí)間：	2019-12-01	包裝：
開(kāi)本：	16開(kāi)	頁(yè)數(shù)：	193	字?jǐn)?shù)：

內(nèi)容簡(jiǎn)介

　　文化唯物主義興起于二十世紀(jì)八十年代，極盛于九十年代，在時(shí)下的文學(xué)研究中仍有巨大影響。它在文藝復(fù)興文學(xué)和文化研究領(lǐng)域建樹(shù)頗豐，特別是在莎士比亞研究領(lǐng)域.已占據(jù)重要地位。文化睢物主義是對(duì)三種文學(xué)批評(píng)方法——細(xì)繹派批評(píng)、傳統(tǒng)的馬克思主義批評(píng)以及歷史主義批評(píng)的有限繼承和部分否定，與此同時(shí)，它還吸收了雪蒙·威廉斯的文化理論、路易。阿爾都塞的意識(shí)形態(tài)理論以及安東尼奧’葛蘭西的文化霸權(quán)理論等思想?！段幕ㄎ镏髁x/外語(yǔ)學(xué)科核心話題前沿研究文庫(kù)·外國(guó)文學(xué)研究核心話題系列叢書(shū)》首先闡述了文化唯物主義產(chǎn)生的社會(huì)歷史背景，發(fā)掘其理論淵源，比較了它與新歷史主義之間的異同；接著探討了文化唯物主義的兩位代表人物——艾倫·辛菲爾德和喬納森·多利莫爾——的批評(píng)建樹(shù)，并展示其具體的批評(píng)手法；最后分別利用文化唯物主義和新歷史主義的批評(píng)策略對(duì)蕭伯納的《芭巴拉少?！泛偷腋沟摹镀D難時(shí)世》進(jìn)行剖析，以例詳說(shuō)其應(yīng)用方式?！段幕ㄎ镏髁x/外語(yǔ)學(xué)科核心話題前沿研究文庫(kù)·外國(guó)文學(xué)研究核心話題系列叢書(shū)》既是理論闡釋，也是研究方法指南，兼具學(xué)術(shù)性、應(yīng)用性、原創(chuàng)性與文學(xué)性，既可供外國(guó)文學(xué)方向碩博研究生、年輕教師、研究者參考，亦適合文學(xué)愛(ài)好者閱讀。

作者簡(jiǎn)介

　　趙國(guó)新，北京外國(guó)語(yǔ)大學(xué)教授，博士生導(dǎo)師，外國(guó)文學(xué)研究所研究員。主要研究方向?yàn)楝F(xiàn)代西方文學(xué)理論與批評(píng)、西方馬克思主義文學(xué)理論與批評(píng)。袁方，外國(guó)文學(xué)研究所研究員。

圖書(shū)目錄

總序
··················································
······························· 張劍 viii
前言
··················································
······························· 趙國(guó)新 xvii
第一章思想淵源與歷史 1
1．1 英國(guó)新左派
··················································
·························1
1．1．1 新左派的思想建樹(shù)
··················································
··7
1．1．2 老一代新左派
··················································
·······12
1．1．3 新一代新左派
··················································
·······15
1．1．4 新左派的衰落
··················································
·······22
1．2 從歷史主義到西方馬克思主
義·············································25
1．2．1 蒂利亞德的歷史主義批評(píng)
·······································27
1．2．2 細(xì)繹派的道德形式主義
···········································30
1．2．3 威廉斯
··················································
··················34
1．2．4 阿爾都塞
··················································
··············38
1．2．5 葛蘭西
··················································
··················40
1．2．6 漢尼曼與布萊希特
··················································
41
1．3 新歷史主義與文化唯物主義
················································49
1．3．1 格林布拉特
··················································
···········57
1．3．2 文化唯物主義與新歷史主義之異同 ·························61
第二章文化唯物主義批評(píng)（一）：艾倫·辛菲爾德 64
2．1 文藝復(fù)興時(shí)期的文學(xué)及莎士比亞研究
··································68
2．2 文化唯物主義研究的轉(zhuǎn)向
··················································
··71
2．3 批評(píng)案例（一）
··················································
··················80
2．4 批評(píng)案例（二）
··················································
··················84
第三章文化唯物主義批評(píng)（二）：?jiǎn)碳{森·多利莫爾 92
3．1 文藝復(fù)興時(shí)期的戲劇與同性戀研究
·····································95
3．2 批評(píng)案例（三）
··················································
················103
第四章《芭巴拉少?！返奈幕ㄎ镏髁x分析 114